I'd open this with a joke about time travel never going out of fashion but I don't know how to structure it. Just imagine I've done it and chuckle to yourself about how clever an observation it was.
Days of Future Past is not only one of the greatest, if
grammatically puzzling, titles for a comic story ever it's also a highlight of
X-Men canon. Considering the number of stories that are regarded as classics
within said canon that's not something I say lightly. It was written by Chris
Claremont during his immense decade-plus run on the X-books. During that time
he wrote more stories now considered classics than anyone else no named Stan
Lee or Jack Kirby has for any other group or character. Days of Future Past is
amongst his best.
The basic premise is that the adult consciousness of
Kitty Pryde gets sent back in time, from 2013 eerily enough, to inhabit her
teenage body in order to avert impending doom at the hands of an army of
Sentinels. After the standard exchanges where she convinces the younger earlier
incarnations that she is who she says she is, naturally enough featuring Wolverine’s
heightened senses, the gang set about stopping an assassination attempt by
Mystique's Brotherhood that proved a pivotal moment in history. It may sound
basic now but that's because time travel has become so commonplace in TV,
movies, fiction and pop culture in general. This story was ahead of its time
and, more importantly is better than the average "timey-wimey" fluff
that gets churned out today.
The time shifting shenanigans allow for more impactful
moments than the average Marvel book, then or now. Claremont is free to kill
off as many future incarnations of characters as he pleases, something he
embraces. The death toll ratchets up, demonstrating that the future is indeed
incredibly bleak and something the X-Men are right to try and avoid. Claremont
also employs one of his favourite tricks, featuring reformed Magneto.
It’s a great piece of world building, a demonstration of
Claremont’s skill as a writer of comic books. Using established continuity he
creates a bleak world with a compelling history that’s both fleshed out and intriguing
enough to make you want to explore it more. Unfortunately some people did just
that: in the years since Days of Future Past first appeared Marvel have milked
the DOFP continuity dry, coming as close as they can to robbing the original of
its appeal. Fox are getting in on the act too, with a film adaption due out next year. Thankfully no matter how much inferior nonsense they pump out the
original’s standing can’t be diminished.
Squeezed into just two issues Days of Future Past was and
is a triumph, one that changed what an X-Men comic could do. It is one of the
highest peaks of Claremont's lengthy X-Men career.
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