Ultimate Avengers: Crime and Punishment

The bad news with second series of Ultimate Avengers is that artist Carlos Pacheco was not involved. It’s a great shame as he’d proven a worthy successor to Bryan Hitch, his style proving a much better fit for the series than Joe Madureira’s murky work had back with Ultimates 3. The good news is that he was replaced by Leinil Yu. His scratchy pencil work is a far cry from Pacheco’s smooth efforts but proves a good fit for what writer Mark Millar tosses into this story.

This is the book that introduces the Ultimate universe versions of Punisher and Ghost Rider. Punisher is written as an even less forgiving man than his regular continuity counterpart. We’re told he has no trouble executing kids and harmless henchmen and are shown him doing so in decidedly gruesome (for Marvel) ways. His motivations remain the same: he’s a vigilante dedicated to wiping wrongdoers off the streets using his own brand of morals and ethics, all spurred by the death of his family at the hands of gangsters.

Ghost Rider’s origin is fairly similar too. He remains a young motorbike enthusiast who’s sold his soul in exchange for the resurrection and ensured happiness of a loved one. It’s rare in a Marvel origin story in that it doesn’t feature weird science, although the soul-selling clearly marks it as something of the comics realm, obvs. Yu handles the task of pencilling an eerie, soulless flaming skull well. As much as I liked his work I’m not sure Pacheco would have done as good a job.

In addition to Punisher, who’s kitted out with a supersuit emblazoned with his skull emblem, the Avengers also recruit Tyron Cash. He’s a Cambridge professor turned gangland boss who was once Bruce Banner’s mentor but is now a crime lord. Something about the character seems forced. It could be his often excruciating dialogue (a rare example of Millar’s standard approach steering him wrong) or it could be that he’s blackmailed into joining the team with the threat of his current life being revealed to a wife and son who think him dead and that the sequence never feels especially believable. With Punisher and Ghost Rider having similar, and superior, things going on Cash feels like overkill.

The villain of the piece doesn’t become clear until a few issues have gone by. The first pages of issue one could lead someone to believe it’s going to be Punisher. For a while after that it looks like Ghost Rider. In the end we discover it’s Satan… or possibly a cabal of devil worshippers led by the Vice President of the United States. It depends on your perspective.

Something that could be overlooked with Ultimate Avengers’ second series is that a lot of what happens is being set up for use in the third and fourth volumes. Punisher goes on the run at the end of this volume but returns later. Nerd Hulk and Black Widow interact with The Spider (the Spider-man in a tank from the first volume) and it’s revealed he’s psychic, and implied that he, like Captain America, has a fondness for daytime TV. Nicky Fury and Gregory Stark are kept in the background, the implication being that they’re scheming away on their own personal plans. Which would again play into later volumes.

While this story doesn’t quite hit the heights of New Generation and comes nowhere near The Ultimates first or second series it’s still a very good action comic. Mark Millar has never been better than when writing for Marvel’s Ultimate line.

Ultimate Avengers: Next Generation

Both series of Mark Millar and Bryan Hitch’s Ultimates were well received by those who read them. They reworked the origins of Marvel’s premier superteam for a modern audience and told mature episodic stories. They are amongst the best comics written since the turn of the millennium. Not even the horrible misfire that was Jeph Loeb’s Ultimates 3 could ruin them.

In 2008 Marvel decided to shake up their Ultimate line with a big crossover apocalypse event dubbed Ultimatum. The line’s credibility had already taken a battering with the Ultimate Power story but Ultimatum was worse. It was designed as a reboot of the whole line. It achieved that goal, with all ongoing titles either being cancelled or rebranded with new numbering, but also delivered an incredibly boring story that insulted fans and made no sense to new readers.

One good thing did come out of the reboot though: Mark Millar returned to write more stories using some of the characters he’d used in The Ultimates. Confusingly this new book was dubbed Ultimate Comics: The Avengers. The Ultimates were an Ultimate universe version of the Avengers, whilst the Ultimate universe’s Avengers were a black-ops S.H.I.E.L.D. team. It’s a minor detail and what that doesn’t really matter in the scheme of things but, well, it’s always seemed like Marvel made a choice with the name.

Poor choice of title aside it was a promising start. Millar had proven skilled at spinning compelling modern day superhero yarns that fused politics, history and pseudo-science with traditional superheroic action. With access to all the characters he’d written so well and a promise that he would be using ideas he’d originally planned for further Ultimate series it looked like Marvel were on to a winner.

The first six issue series, subtitled Next Generation, saw Nick Fury rehired by S.H.I.E.L.D. (after some time spent in an alternate universe he’d been involved in trying to destroy) and tasked with bringing in a rogue Captain America. Aside from those two the only other established character in the series is Hawkeye. He still sports the strange redesign insisted on by Jeph Loeb (it makes him look more serious, allegedly) but is written well again. He’s no longer the strange suicide-obsessed killing machine he became in Ultimates 3.

The new characters are Codename: Nerd Hulk, a good natured guy with Hulk’s body and Bruce Banner’s mind; Fury’s ex-wife Monica Chang as a new Black Widow; Insect Queen from the villainous Liberators team the Ultimates battled in the Grand Theft America arc, here renamed Red Wasp; Colonel Rhodes, who has the most advanced Iron Man suit on the planet; and Gregory Stark, the tee total, amoral brother of Tony who regards his brother as a feeble-minded disappointment. Written here it just seems like a list of ideas, continuity references and inverted regulars. Millar writes them with humour and makes them as believable as any Marvel character needs to be.

Even though he’s on the run Cap is at the centre of the story. The opening issue shows him discovering that he has a son. And not just any son. A son who is just as physically, mentally and tactically gifted as him. It’s the Red Skull.

Ultimate Red Skull is not a superhuman created during the Third Reich. He’s an American born to Cap’s girlfriend Betty and taken to a US military base as a baby. His escape at the age of seventeen, during which he slaughtered hundreds of employees, is shown, establishing how formidable an opponent Skull is.

The success of the book lies in the way Millar melds his ideas with a compelling plot. His naturalistic dialogue doesn’t hurt either. By the end of issue six you know what everyone’s motivations are and what they hope to gain from their black-ops work. Well, mostly. Gregory Stark is left a distant and shifty enigma. And the Spider-man sitting inside a glass tank inside S.H.I.E.L.D.’s Triskelion HQ is a complete mystery.

Artist Carlos Pacheco is excellent. It’s disappointing he didn’t get to return to work on any of the other three volumes of Ultimate Avengers. His knack for drawing action sequences was a boon for the series. With Next Generation Ultimate Avengers gets off to a strong start and shows that Mark Millar is still the best thing to have happened to Marvel’s Ultimate line. Definitely recommended reading.