Showing posts with label Fantastic Four. Show all posts
Showing posts with label Fantastic Four. Show all posts

Sunday, 24 November 2013

Books of Doom


For me one of the greatest characters ever to appear in comics is Doctor Doom. I can't imagine there's anyone reading this who's unaware of him but just in case... Doom is the arch enemy of the Marvel supergroup the Fantastic Four (specifically he is the nemesis of Reed Richards) who has a deliberately obscured and contradictory backstory. He's the monarch of his own nation, Latveria, wears an imposing metal mask (which used to express emotions before Marvel, sadly, grew up), is a master scientists, practices magick, and used to love referring to himself in the third person.

I could write hundreds of words elaborating on all of these points but I won't. The point is that Victor Von Doom is one of the most intriguing, entertaining, and well-rounded characters in the Marvel Universe. As with many of his contemporaries (in fact all well-written bad guys everywhere) Doom has understandable and justifiable motives for his actions. He doesn't see himself as a villain. He sees himself as a genius and a hero.

All of this meant it was completely natural for Marvel to give him a starring role in his own comic. He's actually had several at this point, and Books of Doom is not the first. But it is (probably) the most prominent.

Books of Doom is a four issue mini-series that tells the (perhaps it's more accurate to say "an") origin story for the character. It presents various aspects that have been involved in stories of his early years before, but does contradict takes that have appeared in the pages of Fantastic Four comics. Magick, gypsies, humble beginnings and Tibetan monks are among the things that have played a part in shaping Doom's personality.

The fashioning of these disparate themes and ideas into coherency is left to Ed Brubaker. He does a fine job, getting Doom's focus, motives and speech patterns (yes a comic book character can have speech patterns) exactly right. The plot is less of a triumph, mostly because he's retreading old ground. He's very loyal to what's already been established and manages to put his own spin on things but when so much is already known it's tough to have much of an impact or surprise the audience. He sticks to the Jack Kirby approach of not showing Doom's face after a certain point, which is incredibly pleasing.

On art duty is Pablo Raimondi (which is a great name). He too does a fine job, capturing the sense of imperialistic righteousness that characterises Doctor Doom at his best and ensuring that the supporting cast don't fade into the background, which would have been all too easy with a bombastic creation like Doom in the starring role. A minor complaint regarding the artwork is that a lot of the book is set at night, leading to a lot of purples, browns, greys and blacks. It can make the book a little drab to look at in places.

Books of Doom is an essential read for any fans of Doctor Doom. It's not the greatest comic ever written, it's not even the greatest comic to make use of Doom, but Brubaker and Raimondi do a great job capturing the spirit of the character and do an put an entertaining, fresh spin on his origin tale. For anyone more concerned with plot than Doctor Doom there's a wonderful twist in the closing pages which is a real delight. All-in-all it’s something worth a look at, but not something that’s likely to make anyone’s top reads list.

Sunday, 23 December 2012

Super-Villain Team-Up


Back in the 70s Marvel was happy to unleash experimental titles on the world. Unlike today not everything had to be a continuity heavy crossover providing in-depth analysis of a superhero with a film coming out. The company was happy to have writers write things that were fun.

One such title was Super-Villain Team-Up. Instead of focusing on the latern-jawed do-gooders of the Marvel U it put their iniquitous counterparts centre stage. Bad deeds were the order of the day in SVTU, not world saving. Failed attempts at world domination reigned supreme.

The natural choice for the starring role was Doctor Doom. The arch enemy of the Fantastic Four has been one of Marvel’s most well-rounded ne’er-do-wells since his first appearance, part of the reason he is still used frequently to this day and enjoys such popularity with fans. His over the top personality and access to wide range of gadgets and gizmos meant he was a perfect choice to carry such a title and also keep sales high. He referred to himself in the third person far more back then, another bonus.

The Team-Up part was the downside of the book, at least at the start. Doom is such a great character that having him share pages with the likes of Namor and Kazar feels like a wasted opportunity. Things do improve during the Doom and Namor saga (some of which features them battling rather than teaming up), and they really heat up when Magneto becomes a part of the series, playing the party of the hero to save the world from another of Doom’s plots.

The art by Wally Wood, Gene Colan, Herb Trimpe, Jim Shooter and others is textbook mid-70s Marvel. Everyone makes sure that the running gag of Doom’s mask showing emotions is kept alive and well. The lack of colour in the collected edition doesn’t matter a bit such is the care and attention paid to the pencils and inks.

Red Skull pops up too. He starts off being pitted against Doom and ends up becoming the central character of the final team-up of the series, paired with the equally hateful… erm… Hate-Monger. While they’re not the stars the good guys do make appearances, with the Avengers, the Shroud (a Batman take-off that’s fallen by the wayside in recent years), and the Fantastic Four all cropping up for a spot of thwarting.

Doctor Doom is the undeniable star though. Any fans of his have to read this. Practically every issue contains a classic Doom line, be it “Serve me, woman!”, “Doom will be revenged, cur!”, or “Doom needs no one!”, bellowed as the character is flying through the air. The story’s all over the place, thanks mainly to the large number of writers coming and going over a relatively small number of issues, but ultimately it’s a great read. Good fun a fine example of Marvel at their best.